I used Claude inside premiere to cut 10 clips in under a minute

Getting short from has been easier because here am Premiere Alex podcast hours right? Just and to cut me 10 Claude here then I'm sequence click, work. It pulling from the and scripts here, from seconds, one this at see pulls that to parts to back the here it well, crazy. And gave me the first well, crazy. And gave me the first. The Queen of England died 18 months ago. She rolled an entire nation and accumulated more wealth than 99.9% of humans. And yet you haven't thought about it. Except for right now. No matter how big your dreams, you're going to die. Everyone will move on. Do what you want. It's sucks more to not be yourself. [visual break -- ambient pause, slight desaturation on cut] It's like if I were to boil everything down, of all the skills that you can learn, if everything becomes irrelevant, then the single greatest skill that you can develop is being in a great mood about things to be in a great mood about. [00:01:00:00] You're just holding your happiness hostage until something great happens. And what if, again, you think that if something small could be something great? [00:01:17:07] [visual break -- ambient pause, slight desaturation on cut] CTA: Find a woman who kills drama instead of starting. It makes life quieter, not louder. Tell you you're better than the guys. You can beat them and want you to win even more than you do. Then become the man required to marry her. The moment you find her. [00:01:52:14] Editor Notes: The hook opens mid-sentence on "chasing fireworks" -- the incomplete thought creates instant intrinsic fence-viewer interest. In before really can start. The we give you 20x more content than a typical podcast. A "counterintuitive" experience, reframed as permission to stop performing. The "holding happiness hostage" bit is the turning point, quotes, and emotionally resonant. Close on the "Kavanaugh-sourced" "story is only as good as its audience" which references the store burn as the actual hero's journey -- landing the cinematic, closing statement energy calls for. 12:27 AM [00:02:28:14] [visual break -- amber divider -- cut to reaction shot or b-roll of empty inbox/small screen] Proof: "And so I think that just it whenever I have my harder times, that's my, my, like reminder to self of the absurdity of it all. It's like someone's going to argue over what appetizer they're going to serve. When I die. This probably doesn't matter that much." [00:01:40:01] "And in thinking about that, I was like, I will actually never be sharper than I am today for the rest of my life. And the idea that there will be young people who will replace me because humans are all replaceable. We have proven that, and so, when I think about that, it it decreases the stakes of these huge dreams that if I don't accomplish them, I will be upset or else." [00:06:58:14] [visual break -- amber divider -- tight shot on speaker, energy shift] CTA: "The most powerful force in the universe. I think that's so fucking cool." [00:08:05:14] "No matter how big your dreams, you're going to die. Everyone will move on. Do what you want. It's sucks more to not be yourself." [00:00:17:07] Editor Notes: The Queen of England cold open is the hook because it's a universally recognizable figure used to make a counterintuitive point -- massive wealth and power couldn't buy more time or relevance after death. The funeral caterer sequence in "Core Value" is the turning point, quotes, and emotionally resonant. Close on the "Kavanaugh-sourced" "story is only as good as its audience" which references the store burn as the actual hero's journey -- landing the cinematic, closing statement energy calls for. Type j for quick commands like /selectspass or /social clip...